Props Tracker
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Props Production Assistant
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Costume Pa
'Law & Order: Special Victims Unit' Great Expectations (2017)
Directed by: Martha Mitchell
Cinematography by: Michael Green
Edited by: Karen I. Stern
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'Law & Order: Special Victims Unit' Chasing Theo (2017)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
Costume Pa
'Law & Order: Special Victims Unit' Next Chapter (2017)
Directed by: Fred Berner
Cinematography by: Michael Green
Edited by: Matthew Cassel
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'Law & Order: Special Victims Unit' Decline and Fall (2017)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Matthew Cassel
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'Law & Order: Special Victims Unit' Motherly Love (2017)
Directed by: Mariska Hargitay
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
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'Law & Order: Special Victims Unit' Genes (2017)
Directed by: Michael Pressman
Cinematography by: Michael Green
Edited by: Matthew Cassel
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'Law & Order: Special Victims Unit' No Surrender (2017)
Directed by: Stephanie A. Marquardt
Edited by: Karen I. Stern
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'Law & Order: Special Victims Unit' Net Worth (2017)
Directed by: Alex Chapple
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
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'Law & Order: Special Victims Unit' Know It All (2017)
Directed by: Jonathan Herron
Cinematography by: Michael Green
Edited by: Karen I. Stern
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'Law & Order: Special Victims Unit' Spellbound (2017)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
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'Law & Order: Special Victims Unit' Real Fake News (2017)
Directed by: Martha Mitchell
Cinematography by: Michael Green
Edited by: Matthew Cassel
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'Law & Order: Special Victims Unit' Conversion (2017)
Directed by: Alex Chapple
Cinematography by: Michael Green
Edited by: Karen I. Stern
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'Law & Order: Special Victims Unit' American Dream (2017)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Matthew Cassel
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'Law & Order: Special Victims Unit' Sanctuary (2017)
Directed by: Michael Pressman
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
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'Law & Order: Special Victims Unit' Broken Rhymes (2016)
Directed by: Adam Bernstein
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
Costume Pa
'Law & Order: Special Victims Unit' Rape Interrupted (2016)
Directed by: Michael Pressman
Cinematography by: Michael Green
Edited by: Matthew Cassel
Costume Pa
'Law & Order: Special Victims Unit' Heightened Emotions (2016)
Directed by: Alex Chapple
Cinematography by: Michael Green
Edited by: Karen I. Stern
Costume Pa
'Law & Order: Special Victims Unit' Imposter (2016)
Directed by: Jean de Segonzac
Cinematography by: Michael Green
Edited by: Matthew Cassel
Costume Pa
'Law & Order: Special Victims Unit' Making a Rapist (2016)
Directed by: Michael Pressman
Cinematography by: Michael Green
Edited by: Karen I. Stern
Costume Pa
'Law & Order: Special Victims Unit' Terrorized (2016)
Directed by: Alik Sakharov
Cinematography by: Michael Green
Edited by: Leon Ortiz-Gil
Costume Pa
'Law & Order: Special Victims Unit' Heartfelt Passages (2016)
Directed by: Alex Chapple
Cinematography by: Michael Green
Edited by: Karen I. Stern
Football Fan
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Costume Pa - 15 Episodes, 2016-2017
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
