Color Assistant
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Digital Intermediate Colorist Assistant
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Digital Intermediate Colorist Assist
Monster (2018)
Directed by: Anthony Mandler
Cinematography by: David Devlin
Edited by: Joe Klotz
Cameras: Red Epic Dragon Camera
Color Assistant
I Think We're Alone Now (2018)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Mini Camera
Digital Intermediate Colorist Assist
First Reformed (2017)
Directed by: Paul Schrader
Cinematography by: Alexander Dynan
Edited by: Benjamin Rodriguez Jr.
Cameras: ARRI ALEXA SXT Series Cameras
Digital Intermediate Colorist Assist
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Color Assistant
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Color Assistant
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Color Assistant
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Color Assistant
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Color Assistant
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Color Assistant
Swiss Army Man (2016)
Cinematography by: Larkin Seiple
Edited by: Matthew Hannam
