Johnnie Burn

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Kinds of Kindness | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Kinds of Kindness (2024)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Poor Things | ShotOnWhat?

Sound Designer / Supervising Sound Editor And Re-recording Mixer

Poor Things (2023)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

The Zone of Interest | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Zone of Interest (2023)

Directed by: Jonathan Glazer

Cinematography by: Lukasz Zal

Edited by: Paul Watts

Cameras: Sony CineAlta VENICE Camera

Lenses: Leitz M 0.8 Series Lenses

Waves | ShotOnWhat?

Music Editor, Re-recording Mixer / Sound Designer / Supervising Sound Editor

Waves (2019)

Directed by: Trey Edward Shults

Cinematography by: Drew Daniels

Edited by: Isaac Hagy, Trey Edward Shults

Cameras: ARRI ALEXA Mini Camera

The Favourite | ShotOnWhat?

Composer: Additional Music / Music Editor, Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Favourite (2018)

Directed by: Yorgos Lanthimos

Cinematography by: Robbie Ryan

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

The Killing of a Sacred Deer | ShotOnWhat?

Music Editor , Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Killing of a Sacred Deer (2017)

Directed by: Yorgos Lanthimos

Cinematography by: Thimios Bakatakis

Edited by: Yorgos Mavropsaridis

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ghost in the Shell | ShotOnWhat?

Temp Sound Effects Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Lobster | ShotOnWhat?

Additional Re-recording Mixer / Sound Designer / Supervising Sound Editor, Music Editor

The Lobster (2015)

Directed by: Yorgos Lanthimos

Cinematography by: Thimios Bakatakis

Edited by: Yorgos Mavropsaridis

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Under the Skin | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

St George's Day | ShotOnWhat?

Supervising Sound Editor

St George's Day (2012)

Directed by: Frank Harper

Cinematography by: Mike Southon

Edited by: Nick McCahearty

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

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