Hair Stylist / Makeup Artist
'The Crown' Decommissioned (2022)
Directed by: Alex Gabassi
Cinematography by: Adriano Goldman
Edited by: Richard Graham
Hair Stylist / Makeup Artist
'The Crown' Couple 31 (2022)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Celia Haining
Hair Stylist / Makeup Artist
'The Crown' Gunpowder (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Amy Hounsell
Hair Stylist / Makeup Artist
'The Crown' Queen Victoria Syndrome (2022)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Hair Stylist / Makeup Artist
'The Crown' The System (2022)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Celia Haining
Hair Stylist / Makeup Artist
'The Crown' Mou Mou (2022)
Directed by: Alex Gabassi
Cinematography by: Adriano Goldman
Edited by: Daniel Greenway
Hair Stylist / Makeup Artist
'The Crown' Annus Horribilis (2022)
Directed by: May el-Toukhy
Cinematography by: Rasmus Videbæk
Edited by: Mark Davis
Hair Stylist / Makeup Artist
'The Crown' The Way Ahead (2022)
Directed by: May el-Toukhy
Cinematography by: Rasmus Videbæk
Edited by: Simon Brasse
Hair Stylist / Makeup Artist
'The Crown' Ipatiev House (2022)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Simon Brasse
Hair Stylist / Makeup Artist
'The Crown' No Woman's Land (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Stuart Gazzard
Junior Hair Sylist: Crowd / Junior Makeup Artist: Crowd
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Makeup Artist: Crowd Dailies
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Junior Makeup Artist: Crowd
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Makeup Artist: Dailies
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Junior Makeup Artist: Crowd
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Junior Makeup Artist: Crowd
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Makeup Junior: Crowd Dailies
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Trainee Makeup Artist: Crowd, Dailies
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Makeup Trainee: Crowd Dailies, Makeup Trainee: Crowd, Dailies
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Makeup Trainee
Pride (2014)
Directed by: Matthew Warchus
Cinematography by: Tat Radcliffe
Edited by: Melanie Oliver
Editing System: Avid Editing System
Makeup Daily
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
