Anastasia Magoutas

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The Wilds | ShotOnWhat?

Costume Designer - 1 Episode, 2020

The Wilds (2020)

Television Series

Directed by: John Polson, Haifaa Al-Mansour, Susanna Fogel, Sydney Freeland, Alison Maclean, Cherie Nowlan, Tara Nicole Weyr, Ed Wild

Cinematography by: Ed Wild, Rob Marsh, Peter Field

Edited by: Sophie Corra, Steve Edwards, Brad Katz, Susan J. Vinci

Lenses: Tokina Vista Cinema Prime 105mm T1.5, Tokina Vista Cinema Prime 135mm T1.5, Tokina Vista Cinema Prime 18mm T1.5, Tokina Vista Cinema Prime 25mm T1.5, Tokina Vista Cinema Prime 35mm T1.5, Tokina Vista Cinema Prime 50mm T1.5, Tokina Vista Cinema Prime 85mm T1.5

"The Wilds" Day One | ShotOnWhat?

Costume Designer

'The Wilds' Day One (2020)

Television Episode

Directed by: Susanna Fogel

Cinematography by: Ed Wild

Edited by: Sophie Corra

Baby Driver | ShotOnWhat?

Assistant Costume Designer

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

The Hateful Eight | ShotOnWhat?

Costumer

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Sleepwalk with Me | ShotOnWhat?

Wardrobe Intern

Sleepwalk with Me (2012)

Directed by: Mike Birbiglia, Seth Barrish

Cinematography by: Adam Beckman

Edited by: Geoffrey Richman

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