Nicolas Bonnell

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Blade Runner 2049 | ShotOnWhat?

Head Of Production: BUF

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Nine Lives | ShotOnWhat?

Visual Effects Producer: Europacorp

Nine Lives (2016)

Directed by: Barry Sonnenfeld

Cinematography by: Karl Walter Lindenlaub

Edited by: David Zimmerman, Don Zimmerman

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

The Smurfs 2 | ShotOnWhat?

Visual Effects Producer: PLUG

The Smurfs 2 (2013)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Sabrina Plisco

Cameras: Sony CineAlta F65 Camera

X: First Class | ShotOnWhat?

Visual Effects Producer: PLUG

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Divide | ShotOnWhat?

Visual Effects Producer: PLUG

The Divide (2011)

Directed by: Xavier Gens

Cinematography by: Laurent Barès

Edited by: Carlo Rizzo

The Twilight Saga: Eclipse | ShotOnWhat?

Visual Effects: PLUG

The Twilight Saga: Eclipse (2010)

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Underworld: Rise of the Lycans | ShotOnWhat?

Vfx Coordinator: Duran Duboi Paris

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Séraphine | ShotOnWhat?

Visual Effects Producer: Plug Effects

Séraphine (2008)

Directed by: Martin Provost

Cinematography by: Laurent Brunet

Edited by: Ludo Troch

Batman Begins | ShotOnWhat?

On-set Visual Effects Producer: BUF

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alexander | ShotOnWhat?

Production Supervisor: Paris, BUF

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

Les rivières pourpres 2 - Les anges de l'apocalypse | ShotOnWhat?

Visual Effects Producer: BUF

Les rivières pourpres 2 - Les anges de l'apocalypse (2004)

Directed by: Olivier Dahan

Cinematography by: Alex Lamarque

Edited by: Richard Marizy

2046 | ShotOnWhat?

Visual Effects Producer: BUF

2046 (2004)

Directed by: Kar-Wai Wong

Cinematography by: Christopher Doyle, Pung-Leung Kwan

Edited by: William Chang

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Underworld | ShotOnWhat?

Visual Effects Producer

Underworld (2003)

Directed by: Len Wiseman

Cinematography by: Tony Pierce-Roberts

Edited by: Martin Hunter

The Matrix Revolutions | ShotOnWhat?

Visual Effects Producer: BUF

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Reloaded | ShotOnWhat?

Visual Effects Producer: BUF

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Panic Room | ShotOnWhat?

Visual Effects Producer: BUF

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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