E. Bennett Walsh

13 Titles

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The Amazing Spider-Man 2 | ShotOnWhat?

Executive Producer, Unit Production Manager

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

After Earth | ShotOnWhat?

Executive Producer, Unit Production Manager

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Executive Producer, Unit Production Manager

Ghost Rider: Spirit of Vengeance (2011)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

Knight and Day | ShotOnWhat?

Production Manager

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Edge of Darkness | ShotOnWhat?

Executive Producer, Unit Production Manager

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

State of Play | ShotOnWhat?

Executive Producer

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ghost Rider | ShotOnWhat?

Executive Producer, Unit Production Manager

Ghost Rider (2007)

Directed by: Mark Steven Johnson

Cinematography by: Russell Boyd

Edited by: Richard Francis-Bruce

Cameras: Panavision Cameras

The Kite Runner | ShotOnWhat?

Producer, Unit Production Manager

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Disturbia | ShotOnWhat?

Producer, Unit Production Manager

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stealth | ShotOnWhat?

Executive Producer

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 2 | ShotOnWhat?

Executive Producer

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kill Bill: Vol. 1 | ShotOnWhat?

Executive Producer

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Boiler Room | ShotOnWhat?

Co-producer, Production Manager

Boiler Room (2000)

Directed by: Ben Younger

Cinematography by: Enrique Chediak

Edited by: Chris Peppe

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