Boom Operator
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Sound Recordist
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Boom Operator / Recording Mixer: El Camaleón Sonido, Barcelona
Grand Piano (2013)
Directed by: Eugenio Mira
Cinematography by: Unax Mendia
Boom Operator
Los ojos de Julia (2010)
Directed by: Guillem Morales
Cinematography by: Oscar Faura
Edited by: Joan Manel Vilaseca
Sound Mixer: China
Transsiberian (2008)
Directed by: Brad Anderson
Cinematography by: Xavi Giménez
Edited by: Jaume Martí
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Lenses
Assistant Sound Editor
Frágiles (2005)
Directed by: Jaume Balagueró
Cinematography by: Xavi Giménez
Edited by: Jaume Martí
Sound Mixer
La monja (2005)
Directed by: Luis de la Madrid
Cinematography by: David Carretero
Edited by: Bernat Vilaplana
Boom Operator / Sound Design Assistant
The Machinist (2004)
Directed by: Brad Anderson
Cinematography by: Xavi Giménez
Edited by: Luis de la Madrid
