Set Dresser - 6 Episodes, 2020
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Set Dresser
'True Blood' Keep This Party Going (2009)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Andy Keir
Set Dresser
'True Blood' Nothing But the Blood (2009)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Set Dresser - 2 Episodes, 2009
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Leadman
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly