Paul Oakman

12 Titles

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Napoleon | ShotOnWhat?

Props Welder

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Special Effects Technician

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

F9 | ShotOnWhat?

Special Effects Technician

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

Overlord | ShotOnWhat?

Special Effects Technician

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Wonder Woman | ShotOnWhat?

Special Effects Technician

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

The Mummy | ShotOnWhat?

Special Effects Technician: Additional Photography

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Special Effects Technician

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Hot Fuzz | ShotOnWhat?

Additional Stand-by Carpenter

Hot Fuzz (2007)

Directed by: Edgar Wright

Cinematography by: Jess Hall

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Starter for 10 | ShotOnWhat?

Stagehand

Starter for 10 (2006)

Directed by: Tom Vaughan

Cinematography by: Ashley Rowe

Edited by: Jon Harris, Heather Persons

Proof | ShotOnWhat?

Stagehand

Proof (2005)

Directed by: John Madden

Cinematography by: Alwin H. Küchler

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Editing System: Lightworks Editing System

Nanny McPhee | ShotOnWhat?

Stagehand

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

Bright Young Things | ShotOnWhat?

Construction Team

Bright Young Things (2003)

Directed by: Stephen Fry

Cinematography by: Henry Braham

Edited by: Alex Mackie

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