Caroline Vandenbussche

6 Titles

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Lucy | ShotOnWhat?

Crowd Marshall

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Requiem pour une tueuse | ShotOnWhat?

Production Assistant

Requiem pour une tueuse (2011)

Directed by: Jérôme Le Gris

Cinematography by: Antoine Monod

Edited by: Claire Fieschi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Seuls Two | ShotOnWhat?

Production Assistant

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Rush Hour 3 | ShotOnWhat?

Crowd Marshall

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Before Sunset | ShotOnWhat?

Production Assistant: Additional Crew

Before Sunset (2004)

Directed by: Richard Linklater

Cinematography by: Lee Daniel

Edited by: Sandra Adair

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Friday Night | ShotOnWhat?

Trainee Assistant Director

Friday Night (2002)

Directed by: Claire Denis

Cinematography by: Agnès Godard

Edited by: Nelly Quettier

Cameras: Aaton 35-III Camera, Aaton A-Minima Camera

Lenses: Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

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