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Shazam! | ShotOnWhat?

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Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Molly's Game | ShotOnWhat?

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Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

It | ShotOnWhat?

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It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Suicide Squad | ShotOnWhat?

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Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spotlight | ShotOnWhat?

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Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

RoboCop | ShotOnWhat?

Carpenter

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pompeii | ShotOnWhat?

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Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

Total Recall | ShotOnWhat?

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Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Silent Hill: Revelation 3D | ShotOnWhat?

Carpenter

Silent Hill: Revelation (2012)

Directed by: M.J. Bassett

Cinematography by: Maxime Alexandre

Edited by: Michele Conroy

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Dream House | ShotOnWhat?

Carpenter

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Resident Evil: Afterlife | ShotOnWhat?

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Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

Amelia | ShotOnWhat?

Carpenter

Amelia (2009)

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Flash of Genius | ShotOnWhat?

Carpenter

Flash of Genius (2008)

Directed by: Marc Abraham

Cinematography by: Dante Spinotti

Edited by: Jill Savitt

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