Loïc Barnier

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The Search | ShotOnWhat?

Costume Designer, Costume Supervisor

The Search (2014)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Micmacs à tire-larigot | ShotOnWhat?

Costumer

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Costumier

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

The Heir Apparent: Largo Winch | ShotOnWhat?

Costumer

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Marie Antoinette | ShotOnWhat?

Set Costumer

Marie Antoinette (2006)

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Days of Glory | ShotOnWhat?

Costumer

Days of Glory (2006)

Directed by: Rachid Bouchareb

Cinematography by: Patrick Blossier

Edited by: Yannick Kergoat

Lenses: Hawk Anamorphic Lenses

A Very Long Engagement | ShotOnWhat?

Costumer

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

The Bourne Identity | ShotOnWhat?

Costumer

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

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