Beth Bajuk

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The Italian Job | ShotOnWhat?

Art Department Coordinator

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Jurassic Park III | ShotOnWhat?

Art Department Coordinator

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

The Perfect Storm | ShotOnWhat?

Art Department Coordinator

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Deep Blue Sea | ShotOnWhat?

Art Department Coordinator

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Evening Star | ShotOnWhat?

Art Department Production Assistant

The Evening Star (1996)

Directed by: Robert Harling

Cinematography by: Don Burgess

Edited by: David Moritz, Priscilla Nedd-Friendly

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