Nat McCormick

16 Titles

Is this you? Add a Profile

A Haunted House | ShotOnWhat?

International Sales

A Haunted House (2013)

Directed by: Michael Tiddes

Cinematography by: Steve Gainer

Edited by: Suzanne Hines

Dark Skies | ShotOnWhat?

International Sales

Dark Skies (2013)

Directed by: Scott Stewart

Cinematography by: David Boyd

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

Dead Man Down | ShotOnWhat?

International Sales

Dead Man Down (2013)

Directed by: Niels Arden Oplev

Cinematography by: Paul Cameron

Edited by: Timothy A. Good, Frédéric Thoraval

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

The Spectacular Now | ShotOnWhat?

International Sales Executive

The Spectacular Now (2013)

Directed by: James Ponsoldt

Cinematography by: Jess Hall

Edited by: Darrin Navarro

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

The Butler | ShotOnWhat?

International Sales

The Butler (2013)

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Casa de mi Padre | ShotOnWhat?

International Sales

Casa de mi Padre (2012)

Directed by: Matt Piedmont

Cinematography by: Ramsey Nickell

Edited by: David Trachtenberg

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Dredd | ShotOnWhat?

International Sales

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

The Babymakers | ShotOnWhat?

International Sales

The Babymakers (2012)

Directed by: Jay Chandrasekhar

Cinematography by: Frank G. DeMarco

Edited by: Brad Katz

Bullet to the Head | ShotOnWhat?

International Sales

Bullet to the Head (2012)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Timothy Alverson

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Drive | ShotOnWhat?

World Sales Executive: Affinity International

Drive (2011)

Directed by: Nicolas Winding Refn

Cinematography by: Newton Thomas Sigel

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Beastly | ShotOnWhat?

International Sales

Beastly (2011)

Directed by: Daniel Barnz

Cinematography by: Mandy Walker

Edited by: Thomas J. Nordberg

From Prada to Nada | ShotOnWhat?

International Sales

From Prada to Nada (2011)

Directed by: Angel Gracia

Cinematography by: Héctor Ortega

Edited by: Brad McLaughlin

Cameras: Sony CineAlta F35 Camera

Rabbit Hole | ShotOnWhat?

Executive Worldwide Sales & Acquisions: Affinity International

Rabbit Hole (2010)

Directed by: John Cameron Mitchell

Cinematography by: Frank G. DeMarco

Edited by: Joe Klotz

Cameras: Red One Camera

Lenses: Zeiss Standard Speed Prime Lenses

Hunt to Kill | ShotOnWhat?

World Sales Executive

Hunt to Kill (2010)

Directed by: Keoni Waxman

Cinematography by: Tom Harting

Edited by: Jamie Alain, Amanda I. Kirpaul

Damage | ShotOnWhat?

World Sales Executive

Damage (2009)

Directed by: Jeff King

Cinematography by: Tom Harting

Edited by: Jamie Alain

The Spirit | ShotOnWhat?

Business Affairs

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

©2012 - 2025 ShotOnWhat?

20254.20