Second Assistant Director
'Narcos' The Good, the Bad, and the Dead (2016)
Directed by: Andrés Baiz
Edited by: Matthew Colonna
Second Assistant Director
'Narcos' Our Man in Madrid (2016)
Directed by: Andrés Baiz
Edited by: Nathan Gunn
Second Assistant Director
'Narcos' Cambalache (2016)
Directed by: Gerardo Naranjo
Edited by: Luis Carballar
Second Assistant Director. Second Unit
'Narcos' Free at Last (2016)
Directed by: Gerardo Naranjo
Edited by: Matthew Colonna
Pa Coordinator
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Second Assistant Director / Second Assistant Director. Second Unit - 4 Episodes, 2016
Narcos (2015)
Directed by: Andrés Baiz, Josef Kubota Wladyka, Fernando Coimbra, Gerardo Naranjo, Guillermo Navarro, José Padilha, Gabriel Ripstein
Cinematography by: Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans
Assistant: Our Man, Baja
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Assistant Director: Cast
Recién cazado (2009)
Directed by: Rene Bueno
Cinematography by: Alberto Lee
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Editing System: Final Cut Pro Editing System
Production Office Trainee: Mexico
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
