Jimmy Ray Sorrells

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A Beautiful Day in the Neighborhood | ShotOnWhat?

Second Assistant Accountant

A Beautiful Day in the Neighborhood (2019)

Directed by: Marielle Heller

Cinematography by: Jody Lee Lipes

Edited by: Anne McCabe

Cameras: ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Second Assistant Accountant

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Stop-Loss | ShotOnWhat?

Petty Cash Accountant

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

The Fighting Temptations | ShotOnWhat?

Second Assistant Accountant

The Fighting Temptations (2003)

Directed by: Jonathan Lynn

Cinematography by: Affonso Beato

Edited by: Paul Hirsch

The Sum of All Fears | ShotOnWhat?

Second Assistant Accountant

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

The Score | ShotOnWhat?

Production Assistant

The Score (2001)

Directed by: Frank Oz

Cinematography by: Rob Hahn

Edited by: Richard Pearson

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Best in Show | ShotOnWhat?

Accounting Clerk

Best in Show (2000)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton Cameras

Lenses: Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

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