Cg Supervisor: One Of Us / Look Development: One Of Us
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
CG Supervisor: One Of Us
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
CG Supervisor: One Of Us
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
3d Artist: One Of Us
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Effects Artist: Framestore
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Lighting Artist: Image Engine
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Look Development MPC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Artist: MPC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Visual Effects Artist: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Animator: Effects And Lighting Artist, MPC / Cg Lighting Artist: Framestore-CFC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Technical Director
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Visual Effects Technical Director
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
CG Animator: CFC
The Affair of the Necklace (2001)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Digital Artist: ILM
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
CG Animator: CFC
Sexy Beast (2000)
Directed by: Jonathan Glazer
Cinematography by: Ivan Bird
Cameras: ARRI ARRIFLEX Series Cameras
Lenses: ARRI Lenses
CG Animator: CFC
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
3D Designer: CFC
The Beach (2000)
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
CG Animator
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
3D Animator: CFC
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
CG Animator: CFC / Digital Effects Designer
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
