Roberta Cenedese

  34 Titles
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Production Coordinator

Willard  (2003)

Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz

Production Coordinator

Freddy vs. Jason  (2003)

Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens

Production Coordinator

The Whole Shebang  (2001)

Directed by: George Zaloom
Cinematography by: Jacek Laskus

Assistant Production Coordinator

See Spot Run  (2001)

Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman

Production Coordinator

Trixie  (2000)

Directed by: Alan Rudolph
Cinematography by: Jan Kiesser

Production Coordinator

'Millennium' Matryoshka  (1999)

Directed by: Arthur W. Forney
Cinematography by: Robert McLachlan
Edited by: James Coblentz

Production Coordinator

'Millennium' Darwin's Eye  (1999)

Directed by: Kenneth Fink
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis

Production Coordinator

'Millennium' Nostalgia  (1999)

Directed by: Thomas J. Wright
Cinematography by: Robert McLachlan

Production Coordinator

'Millennium' The Pest House  (1998)

Directed by: Allen Coulter
Cinematography by: Robert McLachlan
Edited by: James Coblentz

Production Coordinator

'Millennium' Siren  (1998)

Directed by: Allen Coulter
Cinematography by: Robert McLachlan
Edited by: George Potter

Production Coordinator

'Millennium' The Time Is Now  (1998)

Directed by: Thomas J. Wright
Cinematography by: Robert McLachlan
Edited by: George Potter

Production Coordinator

'Millennium' Exegesis  (1998)

Directed by: Ralph Hemecker
Cinematography by: Robert McLachlan
Edited by: James Coblentz

Production Coordinator

'Millennium' Closure  (1998)

Directed by: Daniel Sackheim
Cinematography by: Robert McLachlan

Production Coordinator

'Millennium' Skull and Bones  (1998)

Directed by: Paul Shapiro
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis

Production Coordinator

'Millennium' Omerta  (1998)

Directed by: Paul Shapiro
Cinematography by: Robert McLachlan
Edited by: James Coblentz
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