Michael Freaney

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Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Electrical Rigger Jordan

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Ready Player One | ShotOnWhat?

Rigger

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Calvary | ShotOnWhat?

Stand-by Rigger

Calvary (2014)

Directed by: John Michael McDonagh

Cinematography by: Larry Smith

Edited by: Chris Gill

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Shadow Dancer | ShotOnWhat?

Rigger

Shadow Dancer (2012)

Directed by: James Marsh

Cinematography by: Rob Hardy

Edited by: Jinx Godfrey

Snow White and the Huntsman | ShotOnWhat?

Rigger

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Rigger

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

This Must Be the Place | ShotOnWhat?

Rigger: Ireland

This Must Be the Place (2011)

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

Leap Year | ShotOnWhat?

Hod Rigger

Leap Year (2010)

Directed by: Anand Tucker

Cinematography by: Newton Thomas Sigel

Edited by: Nick Moore

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Breakfast on Pluto | ShotOnWhat?

Hod Rigger

Breakfast on Pluto (2005)

Directed by: Neil Jordan

Cinematography by: Declan Quinn

Edited by: Tony Lawson

Reign of Fire | ShotOnWhat?

Electrical Rigger

Reign of Fire (2002)

Directed by: Rob Bowman

Cinematography by: Adrian Biddle

Edited by: Thom Noble, Declan McGrath

Cameras: Panavision Cameras

Die Another Day | ShotOnWhat?

Rigger

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

102 Dalmatians | ShotOnWhat?

Rigger

102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Space Truckers | ShotOnWhat?

Rigger

Space Truckers (1996)

Directed by: Stuart Gordon

Cinematography by: Mac Ahlberg

Edited by: John Victor Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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