Executive Producer
Triangle of Sadness (2022)
Directed by: Ruben Östlund
Cinematography by: Fredrik Wenzel
Associate Producer
Atlantics (2019)
Directed by: Mati Diop
Cinematography by: Claire Mathon
Edited by: Aël Dallier Vega
Cameras: Panasonic VariCam 35, Red Weapon Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Associate Producer
Les Misérables (2019)
Directed by: Ladj Ly
Cinematography by: Julien Poupard
Edited by: Flora Volpelière
Cameras: ARRI ALEXA Mini Camera
Producer
Capharnaüm (2018)
Directed by: Nadine Labaki
Cinematography by: Christopher Aoun
Cameras: ARRI ALEXA Camera
Lenses: Hawk C-Series Lenses
Executive Producer
Under the Silver Lake (2018)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio C. Perez IV
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4/i Lenses
Co-producer
Hotel Império (2018)
Directed by: Ivo Ferreira
Cinematography by: Susana Gomes
Edited by: Sandro Aguilar
Cameras: Sony α7S II Camera
Lenses: ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Producer
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Producer
It's Only the End of the World (2016)
Directed by: Xavier Dolan
Cinematography by: André Turpin
Edited by: Xavier Dolan
