Elayaraja

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Edge of Tomorrow | ShotOnWhat?

Associate Production Manager

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Oz the Great and Powerful | ShotOnWhat?

Associate Production Manager

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black 3 | ShotOnWhat?

Visual Effects Coordinator

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Here Comes the Boom | ShotOnWhat?

Visual Effects Coordinator

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Unstoppable | ShotOnWhat?

Visual Effects Coordinator

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

G-Force | ShotOnWhat?

Visual Effects Production Coordinator

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

2012 | ShotOnWhat?

Visual Effects Coordinator

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Watchmen | ShotOnWhat?

Visual Effects Coordinator

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Mutant Chronicles | ShotOnWhat?

Visual Effects Coordinator: EFX, India

Mutant Chronicles (2008)

Directed by: Simon Hunter

Cinematography by: Geoff Boyle

Edited by: Sean Barton, Alison Lewis

Astérix aux jeux olympiques | ShotOnWhat?

Production Coordinator: Visual Effects

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Le deuxième souffle | ShotOnWhat?

Production Coordinator: Visual Effects

Le deuxième souffle (2007)

Directed by: Alain Corneau

Cinematography by: Yves Angelo

Edited by: Marie-Josèphe Yoyotte

Vanaja | ShotOnWhat?

Smoke Artist

Vanaja (2006)

Directed by: Rajnesh Domalpalli

Cinematography by: Milton Kam

Edited by: Rajnesh Domalpalli, Robert Q. Lovett

Krrish | ShotOnWhat?

Smoke Artist

Krrish (2006)

Directed by: Rakesh Roshan

Cinematography by: Santhosh Thundiyil

Edited by: Amitabh Shukla

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