Mark Robson

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The Meg | ShotOnWhat?

Special Effects Technician

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Evil Dead | ShotOnWhat?

Senior Workshop Technician

Evil Dead (2013)

Directed by: Fede Alvarez

Cinematography by: Aaron Morton

Edited by: Bryan Shaw

Cameras: Sony CineAlta F65 Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Underworld: Rise of the Lycans | ShotOnWhat?

Special Effects Technician

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Special Effects Technician

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Water Horse | ShotOnWhat?

Special Effects Technician: Second Unit

The Water Horse (2007)

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

Vertical Limit | ShotOnWhat?

Special Effects

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

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