Prosthetic Makeup Artist
Jackie (2016)
Directed by: Pablo Larraín
Cinematography by: Stéphane Fontaine
Edited by: Sebastián Sepúlveda
Cameras: ARRIFLEX 416 Plus Camera
Special Makeup Effects Artist
'Profilage' La chasse (2015)
Directed by: Simon Astier
Cinematography by: Marc Falchier
Edited by: Vincent Delorme
Special Makeup Effects Artist
'Profilage' Les poupées (2015)
Directed by: Chris Briant
Cinematography by: Marc Falchier
Edited by: Bertrand Maillard
Special Makeup Effects Artist
My King (2015)
Directed by: Maïwenn
Cinematography by: Claire Mathon
Edited by: Simon Jacquet
Cameras: Sony PMW-F55 Camera
Special Effects
The Transporter Refueled (2015)
Directed by: Camille Delamarre
Edited by: Julien Rey
Cameras: ARRI ALEXA Camera
Special Makeup Effects Artist
Belle et Sébastien (2013)
Directed by: Nicolas Vanier
Cinematography by: Éric Guichard
Special Makeup Effects Artist
La femme du Vème (2011)
Directed by: Pawel Pawlikowski
Cinematography by: Ryszard Lenczewski
Edited by: David Charap
Supervisor: Makeup Effects
L'ordre et la morale (2011)
Directed by: Mathieu Kassovitz
Cinematography by: Marc Koninckx
Special Effects
Carnage (2011)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Special Makeup Effects Artist
From Paris with Love (2010)
Directed by: Pierre Morel
Cinematography by: Michel Abramowicz
Edited by: Frédéric Thoraval
Special Makeup Effects Artist
Incognito (2009)
Directed by: Eric Lavaine
Cinematography by: Stéphane Cami
Edited by: Vincent Zuffranieri
Special Makeup Effects Artist - 2 Episodes, 2015
Profilage (2009)
Directed by: Alexandre Laurent, Vincent Jamain, Julien Despaux, Eric Summer, Chris Briant, Simon Astier, Pascal Lahmani, Christophe Lamotte, Fouad Benhammou, Laure de Butler, Marwen Abdallah, Franck Allera, Julius Berg, Jean-Christophe Delpias, Karim Ouaret, Elsa Bennett, Sébastien Cirade, Hippolyte Dard, Julien Albertini, Julien Hosmalin, Nadège Loiseau, Lionel Mougin, Juliette Roudet
Cinematography by: Marc Falchier, Benjamin Louet, Jean-Philippe Gosselin, Laurent Dhainaut, Thierry Deschamp, Dominique Brenguier, Vincent Vieillard-Baron
Edited by: Emmanuel Douce, Ludivine Saes, François Charpentier, Bertrand Maillard, Vincent Delorme, Magalie Tate, Bob Rayers, Jean de Garrigues, Julien Ouvrard, Frédéric Massiot, Romaric Nereau, Nicolas Garnier, Quentin Boulay, Romain Namura
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens
Special Makeup Effects Artist
Astérix aux jeux olympiques (2008)
Cinematography by: Thierry Arbogast
Special Makeup Effects Artist
Le deuxième souffle (2007)
Directed by: Alain Corneau
Cinematography by: Yves Angelo
Edited by: Marie-Josèphe Yoyotte
Special Makeup Effects Artist
Les deux mondes (2007)
Directed by: Daniel Cohen
Cinematography by: Laurent Dailland
Edited by: Catherine Kelber
Special Makeup Effects Artist
Tell No One (2006)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Special Makeup Effects Artist
Days of Glory (2006)
Directed by: Rachid Bouchareb
Cinematography by: Patrick Blossier
Edited by: Yannick Kergoat
Lenses: Hawk Anamorphic Lenses
Special Makeup Effects Assistant
Manderlay (2005)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Edited by: Molly Malene Stensgaard
Special Makeup Effects Artist
Double zéro (2004)
Directed by: Gérard Pirès
Cinematography by: Denis Rouden
Edited by: Véronique Lange
Sfx Makeup Artist
Arsène Lupin (2004)
Directed by: Jean-Paul Salomé
Cinematography by: Pascal Ridao
Edited by: Marie-Pierre Renaud
Assistant Special Makeup Effects Artist
36th Precinct (2004)
Directed by: Olivier Marchal
Cinematography by: Denis Rouden
Edited by: Hugues Darmois
Special Makeup Effects Artist
Demonlover (2002)
Directed by: Olivier Assayas
Cinematography by: Denis Lenoir
Edited by: Luc Barnier
Special Makeup Effects Artist
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Special Makeup Effects Artist
Brotherhood of the Wolf (2001)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
