Special Effects Coordinator
'Jane the Virgin' Chapter Ten (2015)
Directed by: Elodie Keene
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Special Effects Coordinator
'Jane the Virgin' Chapter Eleven (2015)
Directed by: Joanna Kerns
Cinematography by: Lowell Peterson
Edited by: Brad Katz
Special Effects Coordinator
'Jane the Virgin' Chapter Twelve (2015)
Directed by: Gina Lamar
Cinematography by: Lowell Peterson
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Thirteen (2015)
Directed by: Howard Deutch
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Special Effects Coordinator
'Jane the Virgin' Chapter Fourteen (2015)
Directed by: Brad Silberling
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Fifteen (2015)
Directed by: Melanie Mayron
Cinematography by: John C. Flinn III
Edited by: Gregg Featherman
Special Effects Coordinator
'Jane the Virgin' Chapter Sixteen (2015)
Directed by: Joanna Kerns
Cinematography by: John C. Flinn III
Edited by: Brad Katz
Special Effects Coordinator
'Jane the Virgin' Chapter Seventeen (2015)
Directed by: Uta Briesewitz
Cinematography by: John C. Flinn III
Edited by: Eric Lea
Special Effects Coordinator
'Jane the Virgin' Chapter Eighteen (2015)
Directed by: Edward Ornelas
Cinematography by: John C. Flinn III
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Nineteen (2015)
Directed by: Robert Luketic
Cinematography by: John C. Flinn III
Edited by: Gregg Featherman
Special Effects Coordinator
'Jane the Virgin' Chapter Twenty (2015)
Directed by: Debbie Allen
Cinematography by: John C. Flinn III
Edited by: Brad Katz
Special Effects Coordinator
'Jane the Virgin' Chapter Twenty-One (2015)
Directed by: Stuart Gillard
Cinematography by: Lowell Peterson
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Twenty-Two (2015)
Directed by: Zetna Fuentes
Cinematography by: Lowell Peterson
Edited by: Gregg Featherman
Special Effects Coordinator - 22 Episodes, 2014-2015
Jane the Virgin (2014)
Directed by: Gina Lamar, Melanie Mayron, Brad Silberling, Zetna Fuentes, Uta Briesewitz, Edward Ornelas, Anna Mastro, Jann Turner, Stuart Gillard, Joanna Kerns, Micah Schraft, Gina Rodriguez, Debbie Allen, Howard Deutch, Robert Luketic, Matthew Diamond, Fernando Sariñana, Eric Lea, Norman Buckley, Janice Cooke, Elodie Keene, Georgina Garcia Riedel, Eva Longoria, Jason Reilly, Justin Baldoni, Neema Barnette, Leo Zisman
Edited by: Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras: ARRI ALEXA Camera
Special Effects Coordinator
'Jane the Virgin' Chapter One (2014)
Directed by: Brad Silberling
Cinematography by: Xavier Grobet
Edited by: Shannon Mitchell
Special Effects Coordinator
'Jane the Virgin' Chapter Two (2014)
Directed by: Uta Briesewitz
Cinematography by: Lowell Peterson
Edited by: Raúl Dávalos
Special Effects Coordinator
'Jane the Virgin' Chapter Three (2014)
Directed by: Brad Silberling
Cinematography by: Lowell Peterson
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Four (2014)
Directed by: Debbie Allen
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Special Effects Coordinator
'Jane the Virgin' Chapter Five (2014)
Directed by: Edward Ornelas
Cinematography by: Lowell Peterson
Edited by: Raúl Dávalos
Special Effects Coordinator
'Jane the Virgin' Chapter Six (2014)
Directed by: Jann Turner
Cinematography by: Lowell Peterson
Edited by: Bruce Green
Special Effects Coordinator
'Jane the Virgin' Chapter Seven (2014)
Directed by: Janice Cooke
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Special Effects Coordinator
'Jane the Virgin' Chapter Eight (2014)
Directed by: Norman Buckley
Cinematography by: Lowell Peterson
Edited by: Raúl Dávalos
Special Effects Coordinator
'Jane the Virgin' Chapter Nine (2014)
Directed by: Zetna Fuentes
Cinematography by: Lowell Peterson
Edited by: Bruce Green
Special Effects Supervisor
'Mad Men' In Care Of (2013)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' The Quality of Mercy (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Special Effects Supervisor
'Mad Men' Favors (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' A Tale of Two Cities (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' The Better Half (2013)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Special Effects Supervisor
'Mad Men' The Crash (2013)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Man with a Plan (2013)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' For Immediate Release (2013)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Chris Figler
Special Effects Supervisor
'Mad Men' The Flood (2013)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' To Have and to Hold (2013)
Directed by: Michael Uppendahl
Cinematography by: Jeffrey Jur
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' Collaborators (2013)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Chris Figler
Special Effects Supervisor
'Mad Men' The Doorway, Part 2 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' The Doorway, Part 1 (2013)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Commissions and Fees (2012)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' The Phantom (2012)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Special Effects Supervisor
'Mad Men' The Other Woman (2012)
Directed by: Phil Abraham
Cinematography by: Don Devine
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Lady Lazarus (2012)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Dark Shadows (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' Christmas Waltz (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Special Effects Supervisor
'Mad Men' At the Codfish Ball (2012)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Special Effects Supervisor
'Mad Men' Far Away Places (2012)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' Signal 30 (2012)
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Mystery Date (2012)
Directed by: Matt Shakman
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Special Effects Supervisor
'Mad Men' Tea Leaves (2012)
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' A Little Kiss, Part 1 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Supervisor
'Mad Men' A Little Kiss, Part 2 (2012)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Special Effects Technician
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Special Effects Supervisor
'Mad Men' Shut the Door. Have a Seat (2009)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' The Grown-Ups (2009)
Directed by: Barbet Schroeder
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' The Gypsy and the Hobo (2009)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Special Effects Supervisor
'Mad Men' The Color Blue (2009)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' Souvenir (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' Wee Small Hours (2009)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Seven Twenty Three (2009)
Directed by: Daisy von Scherler Mayer
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' Guy Walks Into an Advertising Agency (2009)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' The Fog (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' The Arrangements (2009)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' My Old Kentucky Home (2009)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Love Among the Ruins (2009)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' Out of Town (2009)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' Meditations in an Emergency (2008)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' The Jet Set (2008)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' The Inheritance (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Special Effects Supervisor
'Mad Men' Six Month Leave (2008)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' A Night to Remember (2008)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Edited by: Cindy Mollo
Special Effects Supervisor
'Mad Men' The Gold Violin (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Tom Wilson
Special Effects Supervisor
'Mad Men' Maidenform (2008)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Cindy Mollo
Special Effects Supervisor
'Mad Men' The New Girl (2008)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' Three Sundays (2008)
Directed by: Tim Hunter
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Special Effects Supervisor
'Mad Men' The Benefactor (2008)
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Special Effects Supervisor
'Mad Men' Flight 1 (2008)
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Special Effects Supervisor
'Mad Men' For Those Who Think Young (2008)
Directed by: Tim Hunter
Cinematography by: Chris Manley
Special Effects Coordinator
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Special Effects Supervisor / Special Effects - 63 Episodes, 2007-2013
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Special Effects
'Mad Men' The Wheel (2007)
Directed by: Matthew Weiner
Cinematography by: Steve Mason
Edited by: Malcolm Jamieson
Special Effects
'Mad Men' Nixon vs. Kennedy (2007)
Directed by: Alan Taylor
Cinematography by: Steve Mason
Edited by: Christopher Nelson
Special Effects
'Mad Men' Indian Summer (2007)
Directed by: Tim Hunter
Cinematography by: Steve Mason
Edited by: David Siegel
Special Effects
'Mad Men' Long Weekend (2007)
Directed by: Tim Hunter
Cinematography by: Bill Roe
Edited by: Malcolm Jamieson
Special Effects
'Mad Men' Shoot (2007)
Directed by: Paul Feig
Cinematography by: Bill Roe
Edited by: David Siegel
Special Effects
'Mad Men' The Hobo Code (2007)
Directed by: Phil Abraham
Cinematography by: Steve Mason
Edited by: Leo Trombetta
Special Effects
'Mad Men' Red in the Face (2007)
Directed by: Tim Hunter
Cinematography by: Frank G. DeMarco
Edited by: David Siegel
Special Effects
'Mad Men' Babylon (2007)
Directed by: Andrew Bernstein
Cinematography by: Phil Abraham
Special Effects
'Mad Men' New Amsterdam (2007)
Directed by: Tim Hunter
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Special Effects
'Mad Men' 5G (2007)
Directed by: Lesli Linka Glatter
Cinematography by: Frank G. DeMarco
Edited by: Leo Trombetta
Special Effects
'Mad Men' Marriage of Figaro (2007)
Directed by: Ed Bianchi
Cinematography by: Phil Abraham
Edited by: David Siegel
Special Effects
'Mad Men' Ladies Room (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Special Effects Supervisor
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Special Effects Coordinator
Shade (2003)
Directed by: Damian Nieman
Cinematography by: Anthony B. Richmond
Special Effects Coordinator
Dumb and Dumberer: When Harry Met Lloyd (2003)
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Special Effects Foreman: Second Unit
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Special Effects Co-coordinator, Stunts
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Special Effects Coordinator
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Special Effects Supervisor
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Special Effects Co-coordinator
Dogma (1999)
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Cop #2, Special Effects Supervisor
American History X (1998)
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Effects Coordinator: Bellissimo/Belardinelli Effects Inc.
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Key Special Effects
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Special Effects , Stunts
Set It Off (1996)
Directed by: F. Gary Gray
Cinematography by: Marc Reshovsky
Edited by: John Carter
Special Effects Coordinator
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Special Effects Coordinator: Additional Photography Unit
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Special Effects Coordinator
Separate Lives (1995)
Directed by: David Madden
Cinematography by: Kees Van Oostrum
Edited by: Janice Hampton
Stunt Player
Four Rooms (1995)
Special Effects Coordinator
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Special Effects Coordinator
Reform School Girl (1994)
Directed by: Jonathan Kaplan
Cinematography by: James Chressanthis
Edited by: Michael D. Ornstein
Special Effects
Once in a Lifetime (1994)
Directed by: Michael Miller
Cinematography by: Kees Van Oostrum
Edited by: Janet Bartels-Vandagriff
Special Effects Coordinator , Stunts
Girls in Prison (1994)
Directed by: John McNaughton
Cinematography by: Jean de Segonzac
Edited by: Larry Bock
Special Makeup Effects Artist
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Special Effects
The Criminal Mind (1993)
Directed by: Joseph Vittorie
Cinematography by: D. Alan Newman
Edited by: Robert Edwards
Special Effects Coordinator, Stunts
Leatherface: Texas Chainsaw Massacre III (1990)
Directed by: Jeff Burr
Cinematography by: James L. Carter
Edited by: Brent A. Schoenfeld
Special Effects Technician
Wait Until Spring, Bandini (1989)
Directed by: Dominique Deruddere
Cinematography by: Jean-François Robin
Edited by: Ludo Troch