Aaron Ali Tichenor

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Inherent Vice | ShotOnWhat?

Second Assistant Camera: "a" Camera

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Nightcrawler | ShotOnWhat?

Second Assistant Camera

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

This Means War | ShotOnWhat?

Second Assistant Camera: "b" Camera, Los Angeles

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Master | ShotOnWhat?

Second Assistant Camera: "a" Camera

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

30 Minutes or Less | ShotOnWhat?

Loader

30 Minutes or Less (2011)

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Kids Are All Right | ShotOnWhat?

Camera Loader

The Kids Are All Right (2010)

Directed by: Lisa Cholodenko

Cinematography by: Igor Jadue-Lillo

Edited by: Jeffrey M. Werner

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses: Zeiss Ultra Prime Lenses

There Will Be Blood | ShotOnWhat?

Production Assistant , Production Associate

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

American Dreamz | ShotOnWhat?

Production Assistant

American Dreamz (2006)

Directed by: Paul Weitz

Cinematography by: Robert Elswit

Edited by: Myron Kerstein

School for Scoundrels | ShotOnWhat?

Set Assistant Camera

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Punch-Drunk Love | ShotOnWhat?

Assistant: Paul Thomas Anderson

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Magnolia | ShotOnWhat?

Production Secretary

Magnolia (1999)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

Happiness | ShotOnWhat?

Additional Set Dresser

Happiness (1998)

Directed by: Todd Solondz

Cinematography by: Maryse Alberti

Edited by: Alan Oxman

Kansas City | ShotOnWhat?

Set Dresser

Kansas City (1996)

Directed by: Robert Altman

Cinematography by: Oliver Stapleton

Edited by: Geraldine Peroni

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