Still Photographer: Second Unit
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Still Photographer: Second Unit
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Still Photographer: Second Unit
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Still Photographer
Slipstream (1989)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Terry Rawlings
Still Photographer: London
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Still Photographer
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Still Photographer
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Still Photographer
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Still Photographer
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Still Photographer
The Hunger (1983)
Directed by: Tony Scott
Cinematography by: Stephen Goldblatt
Edited by: Pamela Power
Still Photographer
Conan the Barbarian (1982)
Directed by: John Milius
Cinematography by: Duke Callaghan
Edited by: Carroll Timothy O'Meara
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
Still Photographer
Shock Treatment (1981)
Directed by: Jim Sharman
Cinematography by: Mike Molloy
Edited by: Richard Bedford
Still Photographer: Europe
The Formula (1980)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: John Carter
Cameras: Panavision Cameras
Still Photographer
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Stills
The Eagle Has Landed (1976)
Directed by: John Sturges
Cinematography by: Anthony B. Richmond
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Still Photographer
Aces High (1976)
Directed by: Jack Gold
Cinematography by: Gerry Fisher
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
Live and Let Die (1973)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Lenses: Panavision Super Speed Lenses
Still Photographer
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Still Photographer
On Her Majesty's Secret Service (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
