Oscar Mendoza
'Suits' Break Point (2012)
Directed by: Christopher Misiano
Cinematography by: John B. Aronson
Edited by: Peter Forslund
Oscar Mendoza
Suits (2011)
Directed by: Michael Smith, Anton Cropper, Christopher Misiano, Kevin Bray, Roger Kumble, Silver Tree, John Scott, Cherie Nowlan, Gabriel Macht, Patrick J. Adams, Félix Enríquez Alcalá, Valerie Weiss, Emile B. Levisetti, Terry McDonough, Jennifer Getzinger, James Whitmore Jr., Kate Dennis, Maurice Marable, Norberto Barba, Dennie Gordon, Tim Matheson, Kate Woods, Adam Davidson, Nicole Kassell, David Platt, Rob Seidenglanz, Gregor Jordan, Chloe Domont, Darren Grant, Julian Holmes, Aaron Korsh, Robert Duncan McNeill
Cinematography by: Dan Stoloff, William Klayer, John B. Aronson, Karl Walter Lindenlaub, Alwyn Kumst, Patrick Cady, Jim Denault, Colin Hoult
Edited by: Dan Rovetto, David Kaldor, Peter Forslund, Brock Hammitt, Angela M. Catanzaro, Sandra McCallig, Daniel Martens, David L. Bertman, Christopher Cibelli, Sara Mineo, Sarah E. Williams, Janet Ashikaga, Robert Ivison, Danielle Wang
Cameras: ARRI ALEXA Camera
Doctor
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Lou Perry
Martin and Lewis (2002)
Directed by: John Gray
Cinematography by: Derick V. Underschultz
Edited by: Keith Reamer
Enrique
Black and Blue (1999)
Directed by: Paul Shapiro
Cinematography by: Alar Kivilo
Edited by: Gib Jaffe
Henry Gore
Ed McBain's 87th Precinct: Ice (1996)
Directed by: Bradford May
Edited by: Buford F. Hayes
Supervisor
Silent Trigger (1996)
Directed by: Russell Mulcahy
Cinematography by: David Franco
Edited by: Yves Langlois
Slim Jim
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Quint
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Man With Umbrella
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt