Visual Effects Executive Producer: DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Visual Effects Executive Producer: DQI
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Visual Effects Executive Producer: DQI
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Executive Producer: DQI
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Executive Producer: DQI
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Executive Producer: DQI
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Visual Effects Executive Producer: DQI
Hot Shots! (1991)
Directed by: Jim Abrahams
Cinematography by: Bill Butler
Visual Effects Executive Producer: DQI
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Visual Effects Producer: DQI
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Visual Effects Supervising Producer: DQI
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Special Visual Effects
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Effects Producer: DQI
Earth Girls Are Easy (1988)
Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey
Visual Effects Production Manager
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Production Manager: Additional Visual Effects
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Production Coordinator: DQI
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Motion Control Production Assistant
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
