Sound Mixer: Second Unit
'Better Call Saul' Breathe (2018)
Directed by: Michelle MacLaren
Edited by: Chris McCaleb
Sound Mixer: Second Unit
'Better Call Saul' Quite a Ride (2018)
Directed by: Michael Morris
Edited by: Skip Macdonald
Sound Mixer: Second Unit
'Better Call Saul' Winner (2018)
Directed by: Adam Bernstein
Edited by: Chris McCaleb
Sound Mixer: Second Unit
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Sound Mixer: Second Unit - 5 Episodes, 2018
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
Electrician
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Grip
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Grip
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Grip
Dominick and Eugene (1988)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn