Ashley Irwin

14 Titles

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J. Edgar | ShotOnWhat?

Conductor / Orchestrator

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Hereafter | ShotOnWhat?

Music Conductor / Orchestrator

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Perfect Game | ShotOnWhat?

Electronic Music Producer

The Perfect Game (2009)

Directed by: William Dear

Cinematography by: Bryan Greenberg

Edited by: Chris Conlee

Rocky Balboa | ShotOnWhat?

Co-orchestrator / Composer: Additional Music / Electronic Music Producer

Rocky Balboa (2006)

Directed by: Sylvester Stallone

Cinematography by: Clark Mathis

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses: Zeiss Master Prime Lenses

A Guy Thing | ShotOnWhat?

Additional Orchestrations

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Good Boy! | ShotOnWhat?

Orchestrator

Good Boy! (2003)

Directed by: John Hoffman

Cinematography by: James Glennon

Edited by: Craig Herring

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Avenging Angelo | ShotOnWhat?

Electronic Music Producer / Orchestrator

Avenging Angelo (2002)

Directed by: Martyn Burke

Cinematography by: Ousama Rawi

Edited by: David Codron

We Were Soldiers | ShotOnWhat?

Orchestrator

We Were Soldiers (2002)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: William Hoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Thomas Crown Affair | ShotOnWhat?

Music Producer: Electronic Score

The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Spy Hard | ShotOnWhat?

Composer: Additional Music , Electronic Programmer

Spy Hard (1996)

Directed by: Rick Friedberg

Cinematography by: John R. Leonetti

Edited by: Eric A. Sears

Sexual Outlaws | ShotOnWhat?

Composer

Sexual Outlaws (1994)

Directed by: Edwin Brown

Cinematography by: Jay Lovett

Edited by: James Avalon

Stranger by Night | ShotOnWhat?

Composer, Music Supervisor / Orchestrator

Stranger by Night (1994)

Direct to Video

Directed by: Gregory Dark

Cinematography by: Wally Pfister

Edited by: James Avalon

Shattered | ShotOnWhat?

Composer: Additional Music

Shattered (1991)

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Freddy's Dead: The Final Nightmare | ShotOnWhat?

Electronic Music Producer

Freddy's Dead: The Final Nightmare (1991)

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

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