Rosario Barbera

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Ford v Ferrari | ShotOnWhat?

Visual Effects Executive Producer: EDI Effetti Digitali Italiani / Visual Effects Producer: EDI Effetti Digitali Italiani

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Visual Effects Executive Producer: EDI Effetti Digitali Italiani / Visual Effects Producer: EDI Effetti Digitali Italiani

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Ben-Hur | ShotOnWhat?

Previs Producer

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Nine Lives | ShotOnWhat?

Visual Effects Producer: EDI Effetti Digitali Italiani

Nine Lives (2016)

Directed by: Barry Sonnenfeld

Cinematography by: Karl Walter Lindenlaub

Edited by: David Zimmerman, Don Zimmerman

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Fathers and Daughters | ShotOnWhat?

Visual Effects Producer

Fathers & Daughters (2015)

Directed by: Gabriele Muccino

Cinematography by: Shane Hurlbut

Edited by: Alex Rodríguez

Cameras: Canon EOS-C500 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

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