Mark Sachse

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The Core | ShotOnWhat?

Visual Effects

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coronado | ShotOnWhat?

Visual Effects Coordinator: Efilm

Coronado (2003)

Directed by: Claudio Fäh

Cinematography by: Anna Foerster, Jaime Reynoso, Steven Douglas Smith

Edited by: Peter S. Elliot

Austin Powers in Goldmember | ShotOnWhat?

Coordinator: EFilm

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

The Parent Trap | ShotOnWhat?

Digital System Technician: CIS Hollywood

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

What Dreams May Come | ShotOnWhat?

Digital Services Technician: CIS Hollywood

What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blade | ShotOnWhat?

Digital Services Technician: CIS Hollywood

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

The Prince of Egypt | ShotOnWhat?

Visual Effects

The Prince of Egypt (1998)

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

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