Executive Producer
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' Ebb Tide (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' No Beast So Fierce (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' Good and Evil Braided Be (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' Predators Far and Near (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Producer: Nostromo Pictures, Spanish
'Penny Dreadful' The Day Tennyson Died (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Executive Producer
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Producer: Nostromo Pictures, Spanish - 6 Episodes, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Producer
Buried (2010)
Directed by: Rodrigo Cortés
Cinematography by: Eduard Grau
Edited by: Rodrigo Cortés
