Colorist - Digital Color Correction
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Colorist - Digital Color Correction
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Colorist - Digital Color Correction
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Colorist - Digital Color Correction
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Colorist - Digital Color Correction
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Colorist - Digital Color Correction
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Colorist - Digital Color Correction
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Colorist - Digital Color Correction
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Colorist - Digital Color Correction
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Colorist - Digital Color Correction
Angels and Insects (1995)
Directed by: Philip Haas
Cinematography by: Bernard Zitzermann
Edited by: Belinda Haas
Colorist - Digital Color Correction
Crocodile Dundee II (1988)
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Colorist - Digital Color Correction
Blame It on Rio (1984)
Directed by: Stanley Donen
Cinematography by: Reynaldo Villalobos
Colorist - Digital Color Correction
Take This Job and Shove It (1981)
Directed by: Gus Trikonis
Cinematography by: James Devis
Edited by: Richard Belding
Colorist - Digital Color Correction
Comes a Horseman (1978)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Marion Rothman
Colorist: Digital Color Correction
Foxy Brown (1974)
Directed by: Jack Hill
Cinematography by: Brick Marquard
Edited by: Chuck McClelland
