Amber Wong

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Executive Staff: ILM

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Babylon | ShotOnWhat?

Executive Staff: ILM

Babylon (2022)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Production & Technical Support: Industrial Light & Magic

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Spider-Man 3 | ShotOnWhat?

Visual Effects Executive Producer: Giant Killer Robots

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

World Trade Center | ShotOnWhat?

Executive Producer: Giant Killer Robots

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Happy Feet | ShotOnWhat?

Visual Effects: Giant Killer Robots

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Fantastic Four | ShotOnWhat?

Executive Producer: Giant Killer Robots

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Son of the Mask | ShotOnWhat?

Executive Producer: Giant Killer Robots

Son of the Mask (2005)

Directed by: Lawrence Guterman

Cinematography by: Greg Gardiner

Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher

The Matrix Revolutions | ShotOnWhat?

Visual Effects Producer

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Reloaded | ShotOnWhat?

Visual Effects Producer

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Scooby-Doo | ShotOnWhat?

Executive Producer: Giant Killer Robots

Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Monkeybone | ShotOnWhat?

Visual Effects Producer

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

Romeo Must Die | ShotOnWhat?

Visual Effects Producer

Romeo Must Die (2000)

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

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