Additional Colorist: Company 3 New York
MaXXXine (2024)
Directed by: Ti West
Cinematography by: Eliot Rockett
Edited by: Ti West
Colorist: Dailies
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Colorist: Dailies
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Color Assistant
First Reformed (2017)
Directed by: Paul Schrader
Cinematography by: Alexander Dynan
Edited by: Benjamin Rodriguez Jr.
Cameras: ARRI ALEXA SXT Series Cameras
Digital Intermediate Technical Lead
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Color Assistant
The Book of Henry (2017)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Color Assistant
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Intermediate On-line Editor
Swiss Army Man (2016)
Cinematography by: Larkin Seiple
Edited by: Matthew Hannam
Color Assistant
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
