Olivier Goinard

16 Titles

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Anatomy of a Fall | ShotOnWhat?

Re-recording Mixer

Anatomy of a Fall (2023)

Directed by: Justine Triet

Cinematography by: Simon Beaufils

Edited by: Laurent Sénéchal

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

Editing System: Avid Editing System

Fuchi ni tatsu | ShotOnWhat?

Sound Mixer

Fuchi ni tatsu (2016)

Directed by: Kôji Fukada

Cinematography by: Ken'ichi Negishi

Edited by: Kôji Fukada, Julia Gregory

Cameras: Sony PMW-F55 Camera

Je vous souhaite d'être follement aimée | ShotOnWhat?

Re-recording Mixer

Je vous souhaite d'être follement aimée (2015)

Directed by: Ounie Lecomte

Cinematography by: Caroline Champetier

Edited by: Tina Baz

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses

Journal d'une femme de chambre | ShotOnWhat?

Re-recording Mixer

Journal d'une femme de chambre (2015)

Directed by: Benoît Jacquot

Cinematography by: Romain Winding

Edited by: Julia Gregory

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Mustang | ShotOnWhat?

Re-recording Mixer

Mustang (2015)

Directed by: Deniz Gamze Ergüven

Cinematography by: David Chizallet, Ersin Gok

Edited by: Mathilde Van de Moortel

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Super Speed Lenses

3 coeurs | ShotOnWhat?

Re-recording Mixer

3 coeurs (2014)

Directed by: Benoît Jacquot

Cinematography by: Julien Hirsch

Edited by: Julia Gregory

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Eden | ShotOnWhat?

Re-recording Mixer

Eden (2014)

Directed by: Mia Hansen-Løve

Cinematography by: Denis Lenoir

Edited by: Marion Monnier

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Farewell, My Queen | ShotOnWhat?

Sound Mixer

Farewell, My Queen (2012)

Directed by: Benoît Jacquot

Cinematography by: Romain Winding

Edited by: Luc Barnier, Nelly Ollivault

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Something in the Air | ShotOnWhat?

Sound Mixer

Something in the Air (2012)

Directed by: Olivier Assayas

Cinematography by: Eric Gautier

Edited by: Luc Barnier

Cameras: Aaton 35-III Camera, Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Mon pire cauchemar | ShotOnWhat?

Sound Mixer

Mon pire cauchemar (2011)

Directed by: Anne Fontaine

Cinematography by: Jean-Marc Fabre

Edited by: Luc Barnier, Nelly Ollivault

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Un amour de jeunesse | ShotOnWhat?

Sound Mixer

Un amour de jeunesse (2011)

Directed by: Mia Hansen-Løve

Cinematography by: Stéphane Fontaine

Edited by: Marion Monnier

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Three Monkeys | ShotOnWhat?

Sound Mixer

Three Monkeys (2008)

Directed by: Nuri Bilge Ceylan

Cinematography by: Gökhan Tiryaki

Edited by: Nuri Bilge Ceylan, Ayhan Ergürsel, Bora Göksingöl

Bye Bye Blackbird | ShotOnWhat?

Sound Editor

Bye Bye Blackbird (2005)

Directed by: Robinson Savary

Cinematography by: Christophe Beaucarne

Edited by: Emmanuelle Castro, Claire Ferguson

Demonlover | ShotOnWhat?

Sound Editor

Demonlover (2002)

Directed by: Olivier Assayas

Cinematography by: Denis Lenoir

Edited by: Luc Barnier

Les destinées | ShotOnWhat?

Assistant Sound Editor

Les destinées (2000)

Directed by: Olivier Assayas

Cinematography by: Eric Gautier

Edited by: Luc Barnier

Those Who Love Me Can Take the Train | ShotOnWhat?

Sound Trainee

Those Who Love Me Can Take the Train (1998)

Directed by: Patrice Chéreau

Cinematography by: Eric Gautier

Edited by: François Gédigier

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