Gisele Tolomelli

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Nosso Lar | ShotOnWhat?

Dop Translator

Nosso Lar (2010)

Directed by: Wagner de Assis

Cinematography by: Ueli Steiger

Edited by: Marcelo Moraes

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

OSS 117: Lost in Rio | ShotOnWhat?

DOP Translator / Assistant Camera

OSS 117: Lost in Rio (2009)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Reynald Bertrand

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Blindness | ShotOnWhat?

Assistant Camera / Second Assistant Camera: Brazil

Blindness (2008)

Directed by: Fernando Meirelles

Cinematography by: César Charlone

Edited by: Daniel Rezende

Cameras: Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses: Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Journey to the End of the Night | ShotOnWhat?

Second Assistant Camera - Second Unit

Journey to the End of the Night (2006)

Directed by: Eric Eason

Cinematography by: Ulrich Burtin

Edited by: Kevin Greutert

The Game of Their Lives | ShotOnWhat?

Grip Translator

The Game of Their Lives (2005)

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

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