Mercedes Delgado

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"1923" The War Has Come Home | ShotOnWhat?

Lead Lighter

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

John Wick: Chapter 4 | ShotOnWhat?

Visual Effects Artist: Rodeo FX

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

1923 | ShotOnWhat?

Lead Lighter - 2 Episodes, 2022-2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

"1923" 1923 | ShotOnWhat?

Lead Lighter

'1923' 1923 (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"Into the Badlands" Chapter XVII: Enter the Phoenix | ShotOnWhat?

Senior Lighter: Layout Artist

'Into the Badlands' Chapter XVII: Enter the Phoenix (2018)

Television Episode

Directed by: Paco Cabezas

Cinematography by: Daniel Aranyó

Edited by: Ben Wilkinson

Into the Badlands | ShotOnWhat?

Senior Lighter: Layout Artist - 16 Episodes, 2018-2019

Into the Badlands (2015)

TV Series

Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip

Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart

Edited by: Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Planet 51 | ShotOnWhat?

Lighting Sr. Artist

Planet 51 (2009)

Directed by: Jorge Blanco, Javier Abad, Marcos Martínez

Edited by: Alex Rodríguez

Editing System: Autodesk Smoke Editing System

Sahara | ShotOnWhat?

3D Texture & Lighting: Cinesite

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

V for Vendetta | ShotOnWhat?

3D Digital Artist: Cinesite

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Charlie and the Chocolate Factory | ShotOnWhat?

Senior Texturer/technical Director: Cinesite Europe

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

King Arthur | ShotOnWhat?

Modelling/texturing/lighting: Cinesite

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

The League of Extraordinary Gentlemen | ShotOnWhat?

Modeler: Cinesite

The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Texture Artist

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

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