Visual Effects Production Supervisor: Kerner Optical
Chi bi: Jue zhan tian xia (2009)
Directed by: John Woo
Visual Effects Production Supervisor: Kerner Optical
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Visual Effects Production Supervisor: Kerner Optical
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Visual Effects Production Supervisor: Kerner Optical
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Unit Production Manager
Teknolust (2002)
Directed by: Lynn Hershman-Leeson
Cinematography by: Hiro Narita
Edited by: Lisa Fruchtman
Cameras: Sony HDW-F900 Camera
Second Assistant Director: San Francisco
The Deep End (2001)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Second Second Assistant Director
This Space Between Us (1999)
Directed by: Matthew Leutwyler
Cinematography by: David Scardina
Edited by: Matthew Leutwyler
Second Assistant Director
Wildflowers (1999)
Directed by: Melissa Painter
Cinematography by: Paul Ryan
Edited by: Brent White
Set Production Assistant
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Governor
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
