Key Colorist
Freight (2010)
Directed by: Stuart St. Paul
Cinematography by: Carl Summerscales
Edited by: Matthew Bate
Digital Intermediate Colourist
Brighton Wok: The Legend of Ganja Boxing (2008)
Directed by: Gabriel Howard
Edited by: John MacDonald
Digital Consultant
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Digital Intermediate Supervisor / Digital Production Supervisor / Visual Effects Supervisor
Silence Becomes You (2005)
Directed by: Stephanie Sinclaire
Cinematography by: Arturo Smith
Edited by: Toby Yates
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Post Production Consultant
Avanim (2004)
Directed by: Raphaël Nadjari
Cinematography by: Laurent Brunet
Edited by: Godefroy Fouray
Digital Intermediate Supervisor
LD 50 Lethal Dose (2003)
Directed by: Simon De Selva
Cinematography by: Robin Vidgeon
Edited by: Kant Pan
Digital Intermediate Colorist
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Editor
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Effects Coordinator: Men In White Coats
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Producer
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
