Additional Camera Operator: "b" Camera
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Camera Operator: Second Unit
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Focus Puller: "c" Camera, Second Unit
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
First Assistant Camera: "c" Camera
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Focus Puller - 2 Episodes, 2010
Going Postal (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Cameras: ARRIFLEX D-21 Camera
Focus Puller
'Going Postal' Episode #1.2 (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Focus Puller
'Going Postal' Episode #1.1 (2010)
Directed by: Jon Jones
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Focus Puller
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
