Executive Producer
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Executive Producer
Everybody Wants Some!! (2016)
Directed by: Richard Linklater
Cinematography by: Shane F. Kelly
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Producer
Boyhood (2014)
Directed by: Richard Linklater
Edited by: Sandra Adair
Editing System: Avid Editing System
Airport Traveller In Opening Scene, Executive Producer
Before Midnight (2013)
Directed by: Richard Linklater
Cinematography by: Christos Voudouris
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Executive Producer
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Executive Producer
Bernie (2011)
Directed by: Richard Linklater
Cinematography by: Dick Pope
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Producer
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Executive Producer
Starting Out in the Evening (2007)
Directed by: Andrew Wagner
Cinematography by: Harlan Bosmajian
Edited by: Gena Bleier
Executive Producer
Before Sunset (2004)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Legal Consultant
Super Size Me (2004)
Directed by: Morgan Spurlock
Cinematography by: Scott Ambrozy
Cameras: Sony DSR-PD150 Camera
Editing System: Final Cut Pro Editing System
Executive Producer
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Legal Counsel: Sloss Law Office
The Station Agent (2003)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Executive Producer, Production Counsel: Sloss Law Office
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by: Errol Morris
Cameras: Sony HDW-F900 Camera
Executive Producer
Pieces of April (2003)
Directed by: Peter Hedges
Cinematography by: Tami Reiker
Edited by: Mark Livolsi
Cameras: Sony DSR-PD150 Camera
Executive Producer
Kill the Poor (2003)
Directed by: Alan Taylor
Cinematography by: Harlan Bosmajian
Edited by: Malcolm Jamieson
Legal Services: Sloss Law Office
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer
Tadpole (2002)
Directed by: Gary Winick
Cinematography by: Hubert Taczanowski
Edited by: Susan Littenberg
Executive Producer
Personal Velocity (2002)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Executive Producer
Ten Tiny Love Stories (2002)
Directed by: Rodrigo García
Cinematography by: Rodrigo Prieto
Edited by: Luis Cámara
Executive Producer
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Legal Services: Sloss Law Office LLP
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Executive Producer
Chelsea Walls (2001)
Directed by: Ethan Hawke
Cinematography by: Tom Richmond
Edited by: Adriana Pacheco
Executive Producer
Tape (2001)
Directed by: Richard Linklater
Cinematography by: Maryse Alberti
Edited by: Sandra Adair
Executive Producer
Session 9 (2001)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Brad Anderson
Executive Producer, Legal Services: Sloss Law Office LLP
Waking Life (2001)
Directed by: Richard Linklater
Edited by: Sandra Adair
Executive Producer
Final (2001)
Directed by: Campbell Scott
Cinematography by: Dan Gillham
Edited by: Andy Keir
Executive Producer
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Legal Services: Sloss Law Office
Dogma (1999)
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Co-executive Producer
No Looking Back (1998)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Legal Services
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Executive Producer, Legal Services: Sloss Law Office P.C.
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Executive Producer
The Newton Boys (1998)
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Legal Services: Sloss Law Office
Chasing Amy (1997)
Directed by: Kevin Smith
Cinematography by: David Klein
Cameras: ARRIFLEX 16SR2 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Executive Producer, Legal Services
Ulee's Gold (1997)
Directed by: Victor Nunez
Cinematography by: Virgil Mirano
Edited by: Victor Nunez
Executive Producer
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Executive Producer
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Executive Producer, Legal Services: Sloss Law Office
American Buffalo (1996)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Co-executive Producer, Legal Counsel
She's the One (1996)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Legal Services: Sloss Law Office
Mallrats (1995)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Cafe Patron, Executive Producer
Before Sunrise (1995)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Legal Eagle
Clerks (1994)
Directed by: Kevin Smith
Cinematography by: David Klein
Cameras: ARRIFLEX 16SR Camera
Editing System: Steenbeck Editing System
Executive Producer, Legal Counsel
The Ballad of Little Jo (1993)
Directed by: Maggie Greenwald
Cinematography by: Declan Quinn
Edited by: Keith Reamer
Executive Producer
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
