Still Photographer
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Still Photographer
A Christmas Prince (2017)
Directed by: Alex Zamm
Cinematography by: Viorel Sergovici
Edited by: Marshall Harvey
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Ultra Prime Lenses
Still Photographer
One in the Chamber (2012)
Directed by: William Kaufman
Cinematography by: Mark Rutledge
Edited by: Russell White
Still Photographer
6 Bullets (2012)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Still Photographer
Assassination Games (2011)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Still Photographer
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Still Photographer
Faubourg 36 (2008)
Directed by: Christophe Barratier
Cinematography by: Tom Stern
Edited by: Yves Deschamps
Still Photographer: Romania
Adam Resurrected (2008)
Directed by: Paul Schrader
Cinematography by: Sebastian Edschmid
Edited by: Sandy Saffeels
Still Photographer
Youth Without Youth (2007)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Edited by: Walter Murch
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Still Photographer
The Prophecy: Forsaken (2005)
Directed by: Joel Soisson
Cinematography by: Gabriel Kosuth
Edited by: Kirk M. Morri
Still Photographer
Hellraiser: Hellworld (2005)
Directed by: Rick Bota
Cinematography by: Gabriel Kosuth
Edited by: Anthony Adler
Still Photographer
Hellraiser: Deader (2005)
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler
Still Photographer
Sherlock (2002)
Directed by: Graham Theakston
Cinematography by: Lukas Strebel
Edited by: Pamela Power
Still Photographer
Dark Prince: The True Story of Dracula (2000)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Joe Rabig
