Víctor Martí

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A Monster Calls | ShotOnWhat?

Post-production Supervisor

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Out of the Dark | ShotOnWhat?

Post-production Supervisor

Out of the Dark (2014)

Directed by: Lluís Quílez

Cinematography by: Isaac Vila

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA Studio Camera

Lenses: Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Grand Piano | ShotOnWhat?

Post-production Supervisor

Grand Piano (2013)

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Impossible | ShotOnWhat?

Post-production Coordinator

The Impossible (2012)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Elena Ruiz, Bernat Vilaplana

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Zeiss Master Prime Lenses

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