Spherical Camera Aperture | 1217 Titles
Father of the Bride (1950)
One Flew Over the Cuckoo’s Nest (1975) 
Directed by | Milos Forman | Cinematography by | Haskell Wexler | Editing by | Sheldon Kahn, Lynzee Klingman
Bloodsport (1988)
Directed by | Newt Arnold | Cinematography by | David Worth | Editing by | Carl Kress, Michael J. Duthie, Jean-Claude Van Damme
Cameras | Panavision Cameras
It’s a Wonderful Life (1946)
Directed by | Frank Capra | Cinematography by | Joseph F. Biroc, Joseph Walker, Victor Milner | Editing by | William Hornbeck
From Here to Eternity (1953)
Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon
Cameras | Mitchell Cameras
A Streetcar Named Desire (1951)
The Philadelphia Story (1940)
The Best Years of Our Lives (1946)
My Fair Lady (1964)
Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler
Cameras | Super Panavision-70 Camera
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
The Pianist (2002)
City Lights (1931)
Directed by | Charles Chaplin | Cinematography by | Gordon Pollock, Roland Totheroh | Editing by | Charles Chaplin, Willard Nico
Midnight Cowboy (1969)
Fargo (1996)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Rio Grande (1950)
The Lavender Hill Mob (1951)
Stolen Heaven (1938)
The Big Parade (1925)
Directed by | King Vidor, George W. Hill | Cinematography by | John Arnold, Charles Van Enger | Editing by | Hugh Wynn
Cameras | Akeley 35mm Ciné Camera
Sleep, My Love (1948)
