Celluloid | 2980 Titles
Butch Cassidy and the Sundance Kid (1969)
Directed by | George Roy Hill | Cinematography by | Conrad L. Hall | Editing by | John C. Howard, Richard C. Meyer
Cameras | Panavision Silent Reflex PSR Camera
Smokin’ Aces 2: Assassins’ Ball (2010)
Directed by | P.J. Pesce | Cinematography by | David Geddes | Editing by | Angela M. Catanzaro
Cameras | Panavision Genesis Camera
Adrenalin: Fear the Rush (1996)
Directed by | Albert Pyun | Cinematography by | George Mooradian | Editing by | Ken Morrisey
Cameras | Moviecam Compact Camera
Trapped (1999)
Directed by | Robert Mann | Cinematography by | Billy Clevenger | Editing by | Damon Claussen, Samantha Staley
Cameras | Panavision Cameras
They Live (1988)
Directed by | John Carpenter | Cinematography by | Gary B. Kibbe | Editing by | Gib Jaffe, Frank E. Jimenez
Cameras | Panavision Panaflex Gold Camera
Swades (2004)
Directed by | Ashutosh Gowariker | Cinematography by | Mahesh Aney | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera
Good Morning, Vietnam (1987)
Directed by | Barry Levinson | Cinematography by | Peter Sova | Editing by | Stu Linder
Cameras | Panavision Cameras
Buster (1988)
Directed by | David Green | Cinematography by | Tony Imi | Editing by | Lesley Walker
Cameras | Panavision Cameras
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Ffolkes (1980)
Directed by | Andrew V. McLaglen | Cinematography by | Tony Imi | Editing by | Alan Strachan
Cameras | Panavision Cameras
Invasion of the Animal People (1959)
Directed by | Virgil W. Vogel | Cinematography by | Hilding Bladh | Editing by | Shirley Cytron, Tom Rolf
Cameras | ARRI Cameras
Zelig (1983)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Tootsie (1982)
Directed by | Sydney Pollack | Cinematography by | Owen Roizman | Editing by | Fredric Steinkamp, William Steinkamp
Cameras | Panavision Cameras
Unconditional Love (2002)
Directed by | P.J. Hogan | Cinematography by | Remi Adefarasin | Editing by | Robert C. Jones
Cameras | Panavision Cameras
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Opal Dream (2006)
Directed by | Peter Cattaneo | Cinematography by | Robert Humphreys | Editing by | Jim Clark, Nicolas Gaster
In the Line of Fire (1993)
Directed by | Wolfgang Petersen | Cinematography by | John Bailey | Editing by | Anne V. Coates
Lenses | Panavision Primo Anamorphic Lenses
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
The Man with One Red Shoe (1985)
Directed by | Stan Dragoti | Cinematography by | Richard H. Kline | Editing by | O. Nicholas Brown, Bud Molin
Cameras | Panavision Cameras
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses