Production Category » Motion Picture

Motion Picture  |  11129 Titles

Motion Picture 2.49/5 61 Votes

Vykrutasy   (2011)

  |  Color  |  90 Minutes

It’s Kind of a Funny Story   (2010)

  |  Color  |  101 Minutes
Directed by | Anna Boden, Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden

Jackson Arms   (2015)

  |  Color  |  90 Minutes
Directed by | Nitram Nosirrag | Cinematography by | Morgan Schmidt | Editing by | Martin Garrison

Kitten with a Whip   (1964)

  |  Black and White  |  83 Minutes
Directed by | Douglas Heyes | Cinematography by | Joseph F. Biroc | Editing by | Russell F. Schoengarth

The Secret in Their Eyes   (2009)

  |    |    |    |  129 Minutes
Directed by | Juan José Campanella | Cinematography by | Félix Monti | Editing by | Juan José Campanella
Cameras |

The 4th Man   (1983)

  |  Color  |  102 Minutes
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Ine Schenkkan

Tiexi qu   (2002)

  |  Color  |  551 Minutes
Directed by | Bing Wang | Cinematography by | Bing Wang | Editing by | Adam Kerby, Bing Wang

American Mary   (2012)

  |    |  Color  |  103 Minutes
Directed by | Jen Soska, Sylvia Soska | Cinematography by | Brian Pearson | Editing by | Bruce MacKinnon
Cameras |

The 400 Blows   (1959)

  |  Black and White  |  99 Minutes
Directed by | François Truffaut | Cinematography by | Henri Decaë | Editing by | Marie-Josèphe Yoyotte

The Meteor Man   (1993)

  |    |  Color  |    |  100 Minutes

Class   (1983)

  |    |  Color  |    |  98 Minutes

The Holiday   (2006)

  |    |  Color  |    |  138 Minutes

The Wretched   (2008)

  |    |  Color  |  92 Minutes
Directed by | Daniel B. Iske | Cinematography by | Daniel B. Iske | Editing by | Daniel B. Iske
Cameras |

Absentia   (2011)

  |    |  Color  |    |  87 Minutes

Largo Winch II   (2011)

  |    |    |    |  114 Minutes

Peyton Place   (1957)

  |  Color  |  157 Minutes
Directed by | Mark Robson | Cinematography by | William C. Mellor | Editing by | David Bretherton, James B. Clark

Gunfighter’s Moon   (1995)

  |    |  Color  |  95 Minutes
Directed by | Larry Ferguson | Cinematography by | James L. Carter | Editing by | Jere Huggins
Cameras |

The Big Sleep   (1978)

  |    |  Color  |    |  99 Minutes
Directed by | Michael Winner | Cinematography by | Robert Paynter
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Red Dawn   (1984)

  |    |  Color  |    |  114 Minutes
Directed by | John Milius | Cinematography by | Ric Waite | Editing by | Thom Noble
Cameras |

The Capture of Bigfoot   (1979)

  |    |  Color  |    |  92 Minutes