Trevor Duke-Moretz

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The 5th Wave | ShotOnWhat?

Assistant: Ms. Moretz

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Equalizer | ShotOnWhat?

Assistant: Ms. Moretz

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Kick-Ass 2 | ShotOnWhat?

Executive Producer

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Dark Shadows | ShotOnWhat?

Assistant: Ms. Moretz

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Hick | ShotOnWhat?

Acting Coach, Co-executive Producer, Special LA Bus Guest

Hick (2011)

Directed by: Derick Martini

Cinematography by: Frank Godwin

Edited by: Mark Yoshikawa

Youth in Revolt | ShotOnWhat?

Jock Guy

Youth in Revolt (2009)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Andy Keir, Pamela Martin

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

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